Many clients come to Chicago to cast because we are the
improvisation capital of the world and they are looking for great improvisers. Some of the most talented and successful comedians
have come through Chicago’s improv circuit, including John Belushi, Chris
Farley, Mike Meyers, Tina Fey, Amy Poehler, Eric Stonestreet and hundreds of other
actors, writers and producers. I can’t tell you how many times I’ve heard
actors say “Well I’m a dramatic actor and don’t need comedy skills” or
something similar. Think Meryl Streep ever said that? Gone are the days when an
actor doesn’t have to be multi-dimensional. Think about the film “The Artist”.
When talkies arrived, he didn’t have a place in the acting world. Do you want
to be a dinosaur? All forms of acting require the tools you learn from the art
of Improvisation – listening, affirming, being present/in the moment, and
supporting your fellow actors are just a few things. No one can teach you how
to be funny, but you can learn how to react in situations that require quick
thinking, wit and how to trust yourself and rely on others. Ever been asked to
do a cold dramatic reading? With an improv background, you’d have confidence
and the ability to go with the flow and if you make a mistake you’ll know how
to cover it. And it makes you much more fun to be around on set. Make a
director laugh and they’ll want to book you and hang out with you all day or
for weeks, etc. So get out there and
take some improv classes with an understanding of how it relates to on-camera
projects. BIG NOTE: Understand that subtle goes a long way in
auditioning. Just because we say
improvisation or ad lib, doesn’t mean to go all Fozzie Bear with it.
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